Gods Without Men

Hari Kunzru

Fantastic! It’s one of those books which you either immediately connect to or switch off from. I wasn’t sure whether I’d like it because a few reviews said that the book leaves the reader hanging, and does not have a conclusive end. From a conventional perspective that’s probably true, but I felt that was precisely the point of the book – there are some things that will remain unknown. We need to acknowledge that in our lives and continue seeking or come to terms with it. It is that very human search for connection and meaning that made this book work for me. The other reason I was skeptical was because it was also described as an ‘American novel’, insinuating a deep cultural connect I feared I would miss out on. That fear proved unfounded since the work is nothing if not universal in its roots.

The action is mostly centred around the Pinnacles, a rock formation in the Californian desert, and the various intriguing happenings around it. Hari Kunzru has created a vast spectrum of characters, across several centuries. A British rock star, an Iraqi teenager, a family consisting of an Indian, an American and their son, believers of an alien worshiping cult, and so on. There is some immense imagination that is evident in the way the characters have been crafted – we can sense their back stories even when it’s not overtly mentioned. The narrative does not flow linearly, but I didn’t find it difficult to pick up the pieces of specific character plots or to identify their presence in others’ plots.

Relished is probably the word I’d use for my experience, and it’s been a while since I felt this way about a book. 🙂 There is something profound in it, and yet, that profundity is content to hover in the background and give the storytelling its space.

Gods Without Men

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