Chitra Banerjee Divakaruni
Like I’ve said before, what does it say of a story when countless people, centuries later, can continue to render it in their unique way? It’s comforting to know that I’m not the only one who’s completely enthralled by the phenomenon that is The Mahabharata. It’s even more heartening when renditions are such that they do justice to the epic.
This is the Mahabharata told from the viewpoint of Draupadi, and as a reader, I could easily believe this to be indeed her autobiography. I could sense the changes in Draupadi with time, not just in her behaviour, but also in her perspectives and even the words she uses. It is almost as though the author walked in her shoes! It is difficult to bring anything new to the table with regards to the basic story itself, but the author manages it with the help of at least three devices – the role of Karna in Draupadi’s life, the perspectives of a female protagonist and finally, the interpretations Draupadi draws of and from the events that happen around her. There is a fourth too, that lends a uniqueness to this retelling – the Palace of Illusions, and what it does to Draupadi’s own perspectives. More