Think About It

Live Empty

old tree and new tree stories

(via)

Such is the pace of life now that I can easily identify with the opening paragraph here. As i read on, I completely loved the part about the graveyard being the most valuable land in the world, “because with all of those people are buried unfulfilled dreams, unwritten novels, masterpieces not created, businesses not started, relationships not reconciled.” The rest of the article is about dying empty – to complete every task, thought, action, to leave nothing unspoken, uncreated, unwritten. 

Later, I read on Brain Picking, “Henry Miller on Creative Death“, and in that Henry Miller, defining art, says, “Strange as it may seem today to say, the aim of life is to live, and to live means to be aware joyously, drunkenly, serenely, divinely aware. In this state of god-like awareness one sings; in this realm the world exists as poem. No why or wherefore, no direction, no goal, no striving, no evolving…. This is the sublime, the a-moral state of the artist, he who lives only in the moment, the visionary moment of utter, far-seeing lucidity…. in the sense that any moment, every moment, may be the all; for the artist there is nothing but the present, the eternal here and now, the expanding infinite moment which is flame and song.” And later in the article “On the contrary, his zest for life is so powerful, so voracious that it forces him to kill himself over and over. He dies many times in order to live innumerable lives.

I read a pattern in these. Of dying every day and being reborn the next day. A new life. I faintly understand and relate to this, but within me is another side that plans, that likes stability, and saves for a rainy day. I am unsure of how these two can co-exist. And I can’t help but be drawn to the lines at the beginning of the Miller post ““One aspect of our nature cannot be exalted above another, except and the expense of one or the other.” 

If so, I already know the winner, and as the first post points out, that would create an angst, or a perpetual state of discontent. It would seem as though the opposite of ‘die empty’ can only be ‘live empty’. There can be no middle path, and that’s scary and sad.

until next time, empty vessels and a lot of noise

All ideas are equal, some more equal than others…

(via Threadless)

A conversation in office on an unrelated topic led me to ask this question on Twitter.

..and @atulkarmakar gave me his perspectives

 

 

Just like Atul mentioned, I had first considered whether it was because creative ideas were considered more personal  and a business idea/model an impersonal, corporate entity. But my starting point had been advertising, to which this does not really apply. Compare the reactions of Company A replicating Company B’s business model/idea versus them being ‘inspired’ by their advertising. In the case of advertising, both agencies might get paid and both clients might benefit. But in the case of a business, the second player could benefit from the mistakes (strategy/execution) of the pioneer and build a more successful business. That would be really unfair to the first guy whose business idea might have been a really creative solution to some need. And yet, it’s more likely that the aping of ads would spark a larger debate and the business cloning would be ignored. Am I missing something? Any perspectives you want to share?

until next time, game of clones

Food for the soul

Thanks to Zomato, I got to spend some bak bak time with Mayur back in February. Along with Rocky, this guy gets to do the two things I’d rather do always – eat and travel. While it was a fun meet up, it was impossible to agree on the subject of meat. Most of the others around were fanatical carnivores – like myself (and I was wearing a tee with the message above) – so we traded insults with him for the first few minutes before the man silenced us with “food is like religion, and you should not piss on other people’s temples”.

After that the conversation quickly moved to life philosophy. I (along with at least one other person) was curious to know how he kept himself interested in the food + travel routine. Wouldn’t it get monotonous? We talked of retaining child-like levels of curiosity and wonder, an openness to experiences, of starting the day asking what newness can be done today and realised that as we grow older, we look for reasons not to do things, as opposed to the reverse.

After taking my trip with a food quote, (and underlining his instant wit) he went off to talk to other folks, and the rest of discussed how this also translates to how we interact with other people. Earlier, we used to trust others until they gave us a reason not to, and these days, it’s exactly the reverse. I wondered if this is probably related to the ‘openness to experiences’ we had talked of earlier.  More

Movie magic

There’s a new wave of movies in Malayalam which have now gotten a genre all to themselves – they are being called ‘new generation’. This has as much to do with the new breed of filmmakers/actors/technicians who’ve begun to make their mark as it is to do with the themes that are portrayed in these films and the mindset that a viewer has to probably adopt – this mindset being radically different from the one reserved for the standard potboiler fare that viewers were used to. I stress the last two because it isn’t as though these kind of movies had never been made before. It was just that they were very few in number. Simply put, the maker and viewer generations are now showing a radical shift from even say, 2-3 years back – in terms of approach, outlook, perspectives, perceptions and expectations.

Movies being a medium of expression, I have always been intrigued by the subtexts, though I have not had the liberty of time to actually spend thoughts on the subject.  This article, for instance, does a good analysis on Mani Ratnam’s movies and the influence of various narratives. These days, when I watch (malayalam) movies from the 80s and 90s,  I try to identify the themes that have been used in/inspired them. Earlier than that would be difficult since I have no primary experience of the era.

I saw Thoovanathumbikal again recently, a fantastic movie which deserves a ‘new generation’ tag even if it were made now, especially because of its sensibilities. It is very much what I call a mood movie – requires the viewer to succumb to the mood to truly enjoy it, especially the current day viewer who expects something to happen every second, and nuances are not counted. (probably why Annayum Rasoolum was not appreciated much – it’s less to do with the theme and its twists and more about the way it’s been dealt with – the sophistication and the aesthetic) Timeless as Thoovanathumbikal might be, I wonder how much one would appreciate it more if one had experienced first hand the societal values, mindset  and the ethos of the time. The rain, for example, which plays such an important part, do we view it in that light anymore? At the same time, the maturity of the person is also a factor. I was nine when it released and would have slept through it! :)

And that’s probably why cinema is indeed magical – not only is it a representation of an era, or a part of it, but at any point in time, there’d be someone who’d be able to relate to it, across the passage of years.

until next time, moving pictures

Lovestrong

Slightly dated in the context of real time, but I thought this was a pertinent read in the Armstrong era. It’s titled “Honesty of the long-distance runner” and is about a Spanish runner Iván Fernández Anaya. He was running second in a race he had no chance of winning when he saw race leader Abel Mutai pull up about 10 meters before the finish, thinking he had already crossed the line. Instead of exploiting the situation, he let the Kenyan win using gestures to communicate. He thought it was the fair thing to do. He also candidly said that if a Eur/World medal was at stake, he’d probably have done things differently.

I saw this poster at gaping void, related to  purpose, but twisted it a bit in this context. It isn’t as though there aren’t things we love to do. As we move further in life, we learn more about the way life works. Sometimes these things we love make business sense, sometimes they don’t or requires either stellar talent or more hard work than we are willing to put in. Some of us work at it, some of us lock the love away and some of us decide to find an easy way out. And thus it is that even things which involve love and passion – sports and arts – have been converted into competitions and ruthless economically viable phenomena. So really, where does the corruption begin?

until next time, strong-armed

Of fame and purpose

I completely missed Bigg Boss 6. Except for knowing that the arrested-for-sedition cartoonist and Sapna Bhavnani were participants, my exposure to it was limited to lunch conversations at office, where two of my friends seemed to be avid followers. :) I thought my ignorance was only fair, since they are usually clueless when I mention the names of micro-celebrities on Twitter.

Increasingly, I am realising that popular culture is going through massive fragmentation. The above was an example. I think this generation is connected with more people than any before it. It has always been so, with better means of communication, but this time, it has been an explosion. We’re still coping with the overload, or filter-failure, as Clay Shirky calls it. Despite social networks, or probably because of them and their algorithms, we miss out on many things.

I was thinking of all this in the context of fame. Fame, to me, has some connection with my favourite subject these days – purpose. Fame can serve as a means, or end, or a by product of purpose. The thing is, with the fragmentation I mentioned earlier, fame probably has to be redefined, also because its shelf life has been drastically reduced. Once upon a time, a name/photo appearing in a newspaper was an achievement. (let’s ignore the notoriety piece :) ) Later, before channels mushroomed, it was television. But now….

One of the things that might happen because of all this is the gradual de-linking of fame and purpose, if it does exist. I’m still trying to figure out how that will shift our perspectives on purpose.

until next time, being famous ain’t what it used to be…

I, the responsible

…and the poor poor girl died earlier in the day I wrote this. Given the delay between my writing posts, and them getting published here, we should have collectively moved on from the issue by now, at least in terms of mind space and media space- mainstream as well as trending topics.

Much, much has been written about the issue – the male/female/Indian/ NRI/feminist/opportunist/armchair activist/ weekend activist/ ‘I was there to protest’ perspective, and these were only some examples – slice and dice any way you like and you’d find a voice that spoke on behalf of the piece you carved. Like this.

Much as I abhor what happened, I see it (rape) only as one symptom of the disease we all have – our own malformed sense of justice. Probably one of the worst symptoms, but not the only one. Injustice is injustice, and it varies by degrees only on the basis of our own perspectives of right and wrong. It happens everyday – talking on the mobile phone while driving/riding, fudging tax forms, making the maid plead for a salary raise, bribing a cop, drinking and driving because you have assured yourself that you are still in control… ask your conscience, you’ll come up with many more. No, I’m not really confusing it with breaking the law – here’s an example. Five hundred times you speak on the phone while driving and nothing happens, but nothing stops the five hundred and first time being the instance that maims someone for life, and leaving him/her bereft of limbs, and perhaps dignity. Ask that person which is a larger crime – what happened to him or a gang rape – the answer should not be surprising. Every action/inaction that affects the dignity of another person, that shows another person that one can get away with breaking the law, that walks the grey area between absolute right and wrong in however minute a way, is injustice in some form.  And in this daily, casual, personal #theekhai attitude to justice lie the seeds of every horrible act of injustice. Any kid watching this today and seeing the perpetrator walk away scot free will imagine he can get away with a bigger crime. And so it grows, and morphs into multi-thousand crore scams and gang rapes further down the chain. A bit like the broken windows theory.

Granted that an elected government has among its duties the responsibility of ensuring the protection of its citizens. Should we protest if they do not? Of course, but that does not absolve me of my obligation, nor does it free me of the nagging thought that as a race, our notion of justice is based on convenience. Sometimes I wonder if the birth of laws in society was a response to the slow death of justice within human beings.

So yes, I am the privileged who can update my Facebook status, and move on with my life. I am responsible and there’s nothing I can do about it. Before I casually judge others, I have to wonder if I have the moral authority to do so. After all, I only vary by degrees.

(image via gaping void)

until next time, </justice>

A picture to go with me

Something in Mishi Saran’s ‘The Other Side of Light’ made me think of a visual that would accompany me on the final journey. I’m not really a painting kind of person, so it’d probably be a photograph.

A photograph that captured my life in one still moment, or my soul itself. Something that was much more than a thousand words. Something that only I understood and could connect with, so its existence beyond my own would be meaningless.

For now, I don’t think I have a photograph like that. Or perhaps each photo, when I look back at it, is as much the deserving one as another. Each one, a different me, real and alive at that point in time, reduced to memory soon as it is captured.

until next time, transience

An idea called home – 2

Anjum Hasan’s “Difficult Pleasures” is borderline surreal, the jacket told me. She would be in my top 3 favourite authors list, and I am completely awed by her writing (check the last para here) but I wonder if even that can explain the surreal thought I had as I read the first few pages. Can a book be called a home? What is a home after all? Isn’t it just an idea that is sometimes real and tangible and exists physically?

And that was the surreal thought – every time I read this author’s books, it’s like going home, as though I could reach inside, get into the story and talk to the characters and they wouldn’t consider me out of place at all. I could belong. Yes, it’s surreal, and I haven’t been smoking, but I just couldn’t get the thought out of my head.

until next time, home away from home

Posture child

I guess that’s the reason why Calvin & Hobbes is so utterly loved by so many folks. Profound, timeless, universal truths expressed in such a unique way!

I had never seen this one until recently. Why blame Instagram for filters? They existed long before anyway :) I thought this strip found great application in all kinds of posturing from time immemorial, and especially so now – in the social media context, when everyone is a publisher. Over a period of time, I wonder how fast we would forget who we really are (if ever we come to know it or knew it) It would probably be irrelevant in the real-time era. We would be the statuses and photos and everything else we like and share every minute. After all, I’m no longer the person who wrote it anyway, and who’s to say the non posturing self is the real deal?

until next time, impostor :)