Yuganta is not a linear retelling of the Mahabharata, instead it uses a few characters to do a critical analysis of the epic. At a simplistic level, the basic story thread is indeed communicated, while delving into these characters and placing them in the context of the story. But more importantly, the examination of various characters, their motivations and actions, belief systems and relationships with each other, as well as the societal frameworks of class, makes up most of the book.
Irawati Karve begins with Bhishma and I almost laughed out loud at her systematic takedown of one of the epic’s revered characters. An observation that I really loved – “When a man does something for himself, his actions are performed within certain limits – limits that are set by the jealous scrutiny of others. But let a man set out to sacrifice himself and do good to others, and the normal limits vanish.” The portion on Vidura is also a look into the prevailing caste system, roles in society, and the strict adherence to these rules. This is extended in the chapter on Drona and Ashwathama.