Rana Dasgupta

I remember liking Tokyo Cancelled, Rana Dasgupta’s earlier (and first) work of fiction. When I first came across Solo, its blurb content for some reason made me stay away. I remembered the leaps of imagination and thought I might not be able to keep pace. Recently, I read his non-fiction work ‘Capital’ and thoroughly loved it. And thus Solo arrived on my bookshelf.

A blind old man in Bulgaria, cared for by his neighbours, and dependent on them for many of his basic needs, reminiscing about the days gone by, might seem like a rather dry premise to base a novel on, but it magnificently surprised me. Ulrich is nearing the end of his life’s tenth decade and has lived through years of Bulgarian political experiments as the country’s elite switched their ideologies through the great wars and after. His early well-provided-for life contrasts sharply with the poverty of his later years, and the steadily declining quality of his life is poignant in itself. Through Ulrich’s perspective and experiences we see the socio-economic changes that take place in the country, and the author is able to do justice to both the suddenness of some of them as well as the gradual nature of the others. The sensitivity with which the author narrates a life that’s fallen on hard times that’s truly wonderful. More